Cinema grade tutorial how to#
Cinema grade tutorial full#
Cinema grade tutorial pro#

By doing so, you can adjust any information that may be clipped by the input LUT. It is bestВ practiceВ to avoid applying the input LUT directly to the footage in order to retain color and luminance information (which is why you shot in Log in the first place).

C-Log - Canon (Looks for the newest Canon lookup table version).

Here are links to the inputВ LUTsВ for the most popular consumer camera brands. Remember, each cameraВ manufacturerВ is an expert in the color science of their own products so be sure to download the Log input LUT from their official website.

Step 1: Download the Log normalization LUT (Input LUT).

You can always play around with it to see which input LUT gives you the best result. The image below was shot on Sony A7SII, so it makes sense to download the Sony input LUT and apply it to our footage.В Sometimes, itвЂ™s possible to use a differentВ input LUTВ from a different camera manufacturer if your footage was exposed incorrectly or you just want a creative look. Now you might be wondering: why shoot in Log when I will just output to Rec709 anyway? The answer is that Log files contain far more information which can be used to make precise adjustments to your footage during the color correction and grading process.ДЄs we already determined the color spaces of our footage and our final destination, we will now convert our footage from Log to Rec 709.В To do that, you need to obtain the Log-to-Rec709 normalization input LUT from your cameraвЂ™s manufacturer. Are you going to show your work on mobile devices (Rec709), TV (Rec709 or Rec2020 soon), or cinema screens (DCI-P3)?В Since most displays are only able to reproduce the Rec709 color gamut, we willВ set our working color space to Rec709. When working with Log footage, it isВ essentialВ toВ re-map your footage to match yourВ final destination. Understating Your working color space and your Final Destination (output) If you shot in Rec709, you can skip the normalization process and start doing color correction.

Cinema grade tutorial full#

So, the first question you need to ask is: did you shoot in Log (e.g., S-log, V-log,В Canon-Log, Red-log film) or in Rec709? Each method is different, uniquely tailored for the color science of the hardware in the products.В Log files are optimized to take full advantage of your cameraвЂ™s image sensor but must be normalized before doing any color correction and grading. Digital video cameras use either Log, or Rec709 to encode colors captured by the sensor.

Understanding your footage (input) color spaceД¬olor space refers to what method a digital system uses to encode color information.

Cinema grade tutorial how to#

In this article, we cover the essentials of how to properly use Look Up Tables (LUTs) and how to optimize your presets to be sure your footage looks exactly the way you want.

Cinema grade tutorial pro#

Adobe Premiere Pro is your best choice if your color grading needs are minimal. Mostly, this is accomplished during the shoot with lighting, lenses, and angle choices, but modern digital editing systems give us another tool: color correction and grading. However, itвЂ™s not enough to just capture images, you need to be sure they convey the look and emotion your scene requires. Capturing digital video has never been more affordable.